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critical praise
"Gotham always delivers visual style"
- David Shengold, Opera News, April 2007
"Thank god for the Gotham Chamber Opera."
- David Hurst, Next Magazine, February 1, 2007
"A mini-Met for the masses downtown... A spunky little company"
- Justin Davidson, Newsday, February 13, 2006
"Gotham Chamber Opera has added variety and a hip glamour to New York's opera scene."
- David Shengold, Time Out New York, February 9, 2006
"The pre-eminent small opera company in New York."
- Anne Midgette, The New York Times, February 12, 2005
"The most stylish of the city's small-scale companies."
- Goings On About Town, The New Yorker, February 9, 2004
"A downtown opera house is giving New Yorkers something to sing about."
- Elizabeth Franck, Vogue, November 2002
"An intimate experience rather than an impersonally distant spectacle."
- Allan Kozinn, The New York Times, January 19, 2002
"Passion for the kind of unusual repertory that the big groups ignore."
- Goings On About Town, The New Yorker, February 9, 2004
"Whoops, stomps and whistles of approval from a captivated audience."
- Opera News, August 2001
"Gotham specializes in excellent production values."
- Heidi Waleson, Opera Now, May/June 2004
"Conductor Neal Goren understands exactly what's needed to bring out the best in the score, and the cast are vocally impeccable."
- Peter G. Davis, New York Magazine, August 1, 2005
"The young company has created an international buzz."
- Marion Lignana Rosenberg, Time Out New York, November 14-21, 2002
"A startling combination of sensitivity and panache."
- Paul Griffiths, The New York Times, November 23, 2002
"Goren has a knack for assembling top-notch teams."
- Marion Lignana Rosenberg, Newsday, February 6, 2004
"The full house, which included quite a few regulars from the big-league uptown venues, cheered the intrepid young singers and musicians as though we were all at the dawn of a bright new era, and - who knows? - maybe we were."
- Charles Michener, The New York Observer, March 18, 2002
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